2026

SANCTUARY

• ALBUM •

“This album is over three years in the making, and finally listening back to it all at once, about to release it to the world, I am so damn proud of every second of it. It’s overwhelming. Working on it has been my outlet for so much that feels wrong and out of control, and a place to ignite hope through the power of music and connection… good thing we have the tour all lined up or I wouldn’t know what to do with myself now! I’ve been completely obsessed. I’m dying for the fans to hear this.”

-Amy Lee

Presave Now

2025

FIGHT LIKE A GIRL

• SINGLE •

Evanescence joined forces with K.Flay for the explosive collaboration “Fight Like A Girl,” created for the film Ballerina, set within the world of John Wick: Chapter 3 – Parabellum. Co-written by Amy Lee alongside K.Flay, Dylan Eiland, and composer Tyler Bates, who also produced the trackthe song channels themes of resilience, defiance, and transformation. Blending cinematic intensity with raw emotion, it reflects both the high-stakes energy of the film and Evanescence’s continued evolution beyond traditional album cycles into collaborative, cross-medium storytelling.

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“I know I’m not the only girl out there ready to dig my heels in and show the world what we’re made of.”

-Amy Lee

AFTERLIFE

• SINGLE •

With “Afterlife,” Evanescence expands further into cinematic storytelling, contributing an original track to the Netflix series Devil May Cry. Dark, atmospheric, and emotionally charged, the song reflects the series’ themes of identity, loss, and inner conflict, blending haunting melodies with a heavier, modern edge. Continuing the band’s evolution beyond traditional album cycles, “Afterlife” reinforces their presence in visual media, aligning their sound with bold, narrative-driven worlds.

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2023

FALLEN 20th ANNIVERSARY

• ALBUM •

Originally released on March 4, 2003, Fallen introduced Evanescence to the world with a sound that blended gothic atmosphere, classical influence, and modern rock, quickly becoming one of the defining albums of the 21st century. Twenty years later, the album returned in a remastered anniversary edition that honored its legacy and lasting impact. Announced in September 2023, the reissue spans 2-LP, 2-CD, digital, and a Super Deluxe box set, expanding the original release with previously unseen photos, a handwritten foreword, B-sides, and additional recordings, as well as unreleased demos and voice notes that offer a deeper look into the band’s early creative process.

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“I never expected it to be that big. We were just making music that we loved.”

-Amy Lee

2021

THE BITTER TRUTH

• ALBUM •

Released on March 26, 2021, The Bitter Truth marked Evanescence’s return to a fully guitar-driven sound following the orchestral experimentation of Synthesis. Produced by Nick Raskulinecz and created during a time of global uncertainty, the album leans into urgency, frustration, and resilience.

Built from a fragmented, remote recording process during the pandemic, the project captures a rawness that feels both immediate and intentional, balancing modern alternative metal with the band’s signature emotional weight.

The album debuted at No. 11 on the Billboard 200 and reached the top five across multiple U.S. charts, including Independent, Alternative, Hard Rock, and Rock Albums. Internationally, it landed in the top 10 across several markets, reinforcing the band’s global presence nearly two decades into their career.

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“We needed to make this now.
It couldn’t wait.”

-Amy Lee

ACROSS THE UNIVERSE

• SINGLE •

In December 2021, Evanescence released a studio cover of Across the Universe, reimagining the iconic track through a cinematic, orchestral lens. Originally performed during the Synthesis Live tour as a tribute to Amy Lee’s late brother, the studio version expands on that emotional foundation, replacing the original’s acoustic simplicity with layered arrangements and a more ethereal, immersive sound. Both personal and reverent, the release offers a quiet, reflective moment within the band’s catalog, bridging their orchestral experimentation with a deeply meaningful reinterpretation.

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2019

THE CHAIN

• SINGLE •

In November 2019, Evanescence released a reimagined cover of The Chain, created for the launch of Gears 5. Produced for the game’s official trailer, the track transforms the original into a darker, more cinematic piece driven by heavy instrumentation and Amy Lee’s commanding vocal performance. Recorded in Nashville and paired with a visually striking, red-lit music video, the release highlights the band’s ability to reinterpret iconic material while expanding further into immersive, narrative-driven collaborations.

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2018

SYNTHESIS LIVE

• ALBUM •

Following the release of Synthesis, Evanescence brought their reimagined catalog to life with Synthesis Live, a global tour that transformed their music into a fully orchestral, cinematic experience. For the first time in the band’s career, each performance featured a live orchestra on stage, with a locally assembled ensemble in every city conducted by Susie Seiter. Spanning North America, Europe, and Oceania, the tour reworked familiar songs through a blend of full orchestral arrangements and electronic programming, alongside new material from Synthesis. What began as a passion-driven reinterpretation evolved into one of the band’s most ambitious live productions, earning widespread critical acclaim for its scale, innovation, and emotional depth.

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“This is a total passion project for me. I’ve always wanted to shine a light on the layers underneath the huge drums and guitars..”

-Amy Lee

2017

SYNTHESIS

• ALBUM •

Released on November 10, 2017, Synthesis marked a departure from Evanescence’s traditional sound, reimagining their catalog through orchestral arrangements and electronic programming. The album blends newly recorded versions of earlier material with two original songs, “Imperfection” and “Hi-Lo,” alongside instrumental compositions, all arranged and conducted by David Campbell and produced by Amy Lee. Following a period of hiatus and independence after parting ways with their longtime label, the project signaled a creative reset, less a conventional studio album and more a reinvention of the band’s identity. Synthesis debuted at No. 8 on the Billboard 200, topped multiple U.S. charts including Classical, Independent, and Alternative Albums, and reached audiences globally, setting the stage for the ambitious Synthesis Live orchestral tour.

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“We stripped everything down and rebuilt it with orchestra and electronics.”

-Amy Lee

2016

LOST WHISPERS

• ALBUM •

Released digitally on December 9, 2016, Lost Whispers is a compilation that brings together rare and previously unreleased material from Evanescence’s catalog, including B-sides, outtakes, and bonus tracks spanning their early years through Evanescence (2011). Arriving during a period of independence following their departure from Wind-up Records, the collection also introduced two new recordings: “Lost Whispers,” originally a 2009 tour intro, and a reimagined version of “Even in Death,” a song dating back to the band’s earliest demo era. Both reflective and restorative, the project offers a curated look into the band’s creative history, bridging past and present while setting the stage for their next evolution with Synthesis.

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“Now I’m in love with that song again.”
(about re-recording ‘Even in Death’)

-Amy Lee

2011

Evanescence

• ALBUM •

Released on October 7, 2011, Evanescence marked a return for Evanescence after several years of writing and creative resets. Originally started in 2009 and later reworked with producer Nick Raskulinecz, the album became the band’s first fully collaborative effort, written collectively by the full lineup rather than centered around a single creative voice. Drawing from influences ranging from electronic and trip-hop to hard rock and symphonic metal, the record expanded their sound while reinforcing their identity. Debuting at No. 1 on the Billboard 200 and topping multiple U.S. charts, the album reestablished the band’s presence globally and marked the closing chapter of their era with Wind-up Records.

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“This is the first time it really feels like a band.”

-Amy Lee

A gothic rock band in an industrial, rust-colored hallway. The lead woman wears a dark, ruffled top with a wide belt and flowing skirt, while the band members wear dark, edgy clothing with leather and metal accessories.
A band of five members posing in a rocky desert landscape, with mountains in the background; the woman in the center wears a white dress, while the men around her wear black clothing, some with sunglasses and tattoos.
A woman with dark hair and striking makeup, sitting on a dark floor, with her upper body slightly above the ground, looking directly at the camera.
Close-up of a woman's face with piercing blue eyes, pale skin, long dark hair, and makeup with dark eyeshadow and eyeliner.
A band of five members dressed in black and white clothing poses on a rocky, desert-like landscape with large rock formations and a yellowish sky in the background.

2010

TOGETHER AGAIN

• SINGLE •

Released on January 22, 2010, “Together Again” by Evanescence was made available as a digital single to support relief efforts following the Haiti earthquake, with proceeds benefiting the United Nations Foundation. Originally written during The Open Door era, the song found new purpose in this moment, offering a quiet, emotional release centered on loss, hope, and connection. Stripped back and reflective, it stands apart in the band’s catalog as both a humanitarian effort and a deeply personal piece of music.

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2006

THE OPEN DOOR

• ALBUM •

Released on September 25, 2006, The Open Door marked a bold evolution for Evanescence, with Amy Lee taking full creative control of the album’s direction. Written over the course of 18 months, the record expanded beyond the band’s earlier sound. Blending classical influences, electronic textures, industrial elements, and layered choral arrangements into something more personal and sonically ambitious. Despite delays during recording, the album debuted at No. 1 on the Billboard 200 and topped charts worldwide, reinforcing the band’s global reach while signaling a shift toward deeper artistic expression.

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“I wanted to make something that was more personal and more real.”

-Amy Lee

A woman in a long, cream-colored dress and five men in dark clothing standing in a snowy outdoor setting with leafless trees and a dark sky in the background.
A gothic-themed group portrait of five people seated at a dark ornate table with candles, skull, and food items, in a wood-paneled room.
A woman with long dark hair, wearing a beige off-shoulder top, singing passionately with her mouth open, standing outdoors in a dark, wooded area.
Group of four people standing in front of ornate wrought iron gate with decorative columns, with warm lighting.
Group of four people, three men and one woman, posing for a photo with dark tree silhouettes in the foreground.

2004

ANYWHERE BUT HOME

• ALBUM •

Released on November 23, 2004, Anywhere But Home captures Evanescence at the height of their early rise, documenting a live performance at Le Zénith in Paris during the Fallen tour. The release pairs a full concert recording with behind-the-scenes footage, offering a rare look into the band’s life on the road as their global audience rapidly expanded. Alongside live renditions of their breakthrough material, the album introduced previously unreleased tracks including “Missing,” “Breathe No More,” and “Farther Away,” further shaping the band’s early identity beyond the studio.

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“Being on stage is where everything comes together for me.”

-Amy Lee

A woman with black hair and gothic makeup sitting on a red velvet bed with ornate gold trim, surrounded by four men in dark and striped clothing in a room with red and black damask wallpaper.
A woman with dark, curly hair and pale skin is kissing a black crow. Four men in black suits are standing nearby in a room with red patterned wallpaper, watching the scene.
A woman with black, wavy hair and fair skin sitting indoors near a window with red curtains, resting her head on her arms, wearing a ring on her left hand, looking contemplative.
Five people standing indoors, three men and two women, with dark background.
A woman with long black hair wearing a vintage lace dress in front of four men in suits in a dimly lit room with red wallpaper.

2003

FALLEN

• ALBUM •

Released on March 4, 2003, Fallen introduced Evanescence to a global audience with a sound that blended gothic atmosphere, classical influence, and modern rock. Built from years of earlier material written by Amy Lee and Ben Moody, the album became an immediate breakthrough, producing defining singles like “Bring Me to Life,” “Going Under,” and “My Immortal.” It went on to sell over 17 million copies worldwide, earn Diamond certification in the U.S., and win two Grammy Awards, marking one of the most successful and influential debuts of its era.

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“We were just making music that we loved.”

-Amy Lee

Four band members posing against a light background, with the woman in the center wearing a black leather corset and distressed mesh top, and the men dressed in black with varying hairstyles and facial expressions.
A group of four people posing in a dark room with blue lighting, with a woman in the center wearing a red corset and black pants, and three men behind or beside her.
Black and white photo of four band members, with woman front and center, all with serious expressions.
Group of five young people in an urban setting, with a woman in the front laying on the floor with her arms extended and looking directly at the camera, and a blond boy behind her also looking into the camera. Two men are in the background, one wearing a cap and the other with dark hair, all in casual dark clothing.
Close-up of a woman's face with intense blue eyes, dark hair with braided streaks, and gothic makeup, looking directly at the camera.